Circular Design in Sustainable Scenography for Theatre and Film Production

Mutoni Uwase N.

Faculty of Business and Management Kampala International University Uganda

                                                                           ABSTRACT
This study examines the application of circular design principles in sustainable scenography for theatre and film production, addressing the urgent need to reduce material waste and environmental impact within the creative industries. It argues that conventional linear production models characterized by extraction, use, and disposal are incompatible with long-term ecological and economic sustainability. By integrating circular economy strategies such as reuse, remanufacturing, modular design, and lifecycle thinking, scenography can transition toward regenerative systems that extend the value and lifespan of materials. The paper explores key concepts including stakeholder collaboration, supply chain transparency, and life cycle assessment (LCA), demonstrating how early-stage design decisions significantly influence environmental outcomes. It further highlights the role of digital tools such as virtual prototyping and digital twins in optimizing resource efficiency and enabling informed decision-making. Through analysis of case studies and practical frameworks, the study identifies opportunities, challenges, and enabling conditions for implementing circular scenography across theatre and film sectors. Ultimately, it positions circular design not only as an environmental necessity but also as a catalyst for creative innovation, economic resilience, and socially responsible production practices.

Keywords: Circular Scenography, Sustainable Design, Material Reuse, Life Cycle, and Assessment Digital Innovation.

CITE AS: Mutoni Uwase N. (2026). Circular Design in Sustainable Scenography for Theatre and Film Production. IDOSR JOURNAL OF COMMUNICATION AND ENGLISH 11(1):1-9. https://doi.org/10.59298/IDOSR/JCE/111.19.20260000